Sculpture II and III
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| Blue-and-White Ware Pottery | much loved worldwide for centuries and involved the exchange of ideas and materials among cultures. originated in China with Islamic influence
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| Rookwood Pottery | (1880-1967) known for its fine craftsmanship, attention to detail and highly decorative surfaces
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| Peter Voulkos | (1924 – 2002) considered the father of expressionism in American ceramics
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| David Gilhooly | (1943? - ) known for his sculptures of frogs and other animals
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| Pop Art | (mid 20th century) satirized popular culture such as mass-media symbols, comic strips and billboards.
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| Jun Kaneko | (1942 - ) contemporary Japanese artist who creates large-scale hand-built ceramic sculptures and public art pieces
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| Bryan Hively | 1974? - ) contemporary artist who creates organic abstract sculptures based on nature and environmental concerns
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| Public Art | art designed for and placed in the public domain, usually outdoors and accessible to all.
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| Hand-held relationship to scale | small-scale art; easily fits into a hand
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| Human relationship to scale | art comparable to size of human figure
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| monumental relationship to scale | art huge in size, often displayed in public spaces
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| Shoji Hamada | —(1894-1978) Japanese potter who was a significant influence on studio pottery of the twentieth century, and major figure of the mingei folk-art movement
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| Beate Kuhn | (1927 - ) she pioneered the technique of making sculpture from wheel-thrown multiples
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| Bill Abright | (1950 - ) known for animal forms, fish, insects and the human figure morphing and combining with different biological sources.
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| Halima Cassell | (1975 - ) known for unglazed, deeply carved, large-scale, contoured sculptural vessels that are inspired by Islamic and African art and architectural geometry.
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| Chad Curtis | (1975? - ) contemporary sculptor whose work draws inspiration from digital technology and examines the effects of high technology on the relationship between human beings and the natural environment
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| TWO FIRING VARIABLES | Temperature and Atmostsphere
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| 2 types of atmosphere in firing | Oxidation and reduction
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| Pyrometer | gauge to measure firing temp.
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| What is the composition of Glaze | Silica, flux, alumina, + oxides ( for color )
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| silica | forms glass in the glaze
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| flux | lowers the melting point of silica
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| Alumina | stabilizes glaze and helps adhere to bisqueware surface
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| colorants | material that adds color, transparency or opacity (i.e., stains, carbonates, oxides)
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| vitrification | when clay or glaze loses its porosity and transforms into a hard, non-absorbent, glass-like state
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| flashing | color change in fired clay or slip due to direct flame
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| lug | side projection on a pot that acts as a handle
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| calipers | tool for measuring inside and outside diameters of pots
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| ergonomics | science of comfort and utility; how a functional object or device works with the human body
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| presentation | the display of an art work based on thoughtful consideration of how an artwork will be viewed. This may include the creation of a base or pedestal, placement, lighting, framing or hanging
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| symbolism | something that stands for or represents something else (using symbols in art work)
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| S-Cracks | —“S” shaped cracks in the bottoms of wheel thrown pots from inadequate compression and/or excessive water
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| Crawling | glaze over dust or oil
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| crazing | small cracks in glaze
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| blistering | craters in glaze surface
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| pin holes | air bubbles trapped in glaze
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| Running | too much on outside surface
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| miter joint | 45 degree angles joined
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| butt joint | straight edge joined
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