Three Dimensional Art
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| Mass | The size, shape, and volume of three-dimensional forms
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| Scale | The size or apparent size of an object seen in relation to other objects, people, or its environment
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| Sunken Relief | Sculptural relief in which the image or design is molded below the original surface of the background, which is not cut away
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| Low relief | Sculptural relief that projects very little from the background, which is not cut away
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| Relief | In printing, a technique in which the intended printing surface is left raised, with remaining areas cut away
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| Addition | When a sculptor adds or combines material (sometimes called built sculpture)
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| Proportion | The realative relationship of shapes or forms to one another in regards to size, height, width, length, or depth
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| Full Round Sculpture | A sculpture employing three-dimensional attached to a background and meant to be seen from one side
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| Relief Sculpture | A sculpture employing three-dimensions attached to a background and meant to be seen from one side
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| Linear Sculpture | A sculpture employing two-dimensional materials
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| Bust | A sculpture that represents a man or woman from the chest up
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| Subtraction | When the sculptor carves or cuts away unwanted material to create the work
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| Substitution | When the sculptor molds or casts an artwork
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| Glyptic | Sculpture which emphasizes the substances or materials from which it is made
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| Mobile | A type of kinetic sculpture in which parts move, often by air currents
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| High relief | Sculpture relief in which forms extend from the background to at least half their depth
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| Ephemeral | Sculpture designed to make a statement and then cease to exist
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| Manipulation | When a sculptor shapes the material by hand (modeling clay or other materials)
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| Negative | Mold from which a sculpture is cast
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| Dome | A common structural element of architecture resembling the hollow upper half of a sphere
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| Functionalism | The belief that architects should design a building based on the purpose of that building
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| Eclectiscism | The inclusion or combination of several different styles in one composition or work of art
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| Capital | A decorative device generally placed at the top of a column as a transition for the eye
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| Tensile Strenght | Ability of a building to withstand bending
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| Compressive Strength | Ability of a material to withstand crushing
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Created by:
efrady
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