Renaissance Exam
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| The Renaissance period is marked by an interest in ________ | ancient Greek culture
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| The Renaissance period of music comprises roughly which centuries? | 15th and 16th
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| The chief sixteenth-century keyboard genre in improvisatory style was ________ | toccata
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| For much of the Renaissance, musicians working in Italy had been trained in _______ | France, the Netherlands, or Flanders
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| Temperament is _________ | tuning all pitches of a keyboard instrument to make thirds and sixths sound good
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| Ottavio Petrucci is known for _________ | publishing music using a three-impression method
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| The main textures for the Renaissance were ________ | homophony and imitative counterpoint
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| The contenance angloise refers to _______ | the English style of polyphony
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| In what way did the Hundred Year's war influence music? | English composers spent time in France
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| The form which contains a burden is the _________ | carol
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| By the first half of the fifteenth century, the word motet was applied to ______ | and polyphonic composition on a sacred Latin text other than the Ordinary of the Mass
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| Which of these statements is true of the duchy of Burgundy? | It occupied cast tracts of land and rivaled the kingdom of France in influence
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| Fauxbourdon is best defined as ______ | two composed voices with an improvised third voice, creating 6-3 chords
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| A mass in which all movements begin with the same motive is called a(n) _________ | motto mass
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| Ockeghem spent most of his career in the service of __________ | the kings of France
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| Pckeghem's Missa prolationem employs which compositional technique? | canon
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| Which of the following statements describes the way(s) in which the bassus voice of the late fifteenth century differs from that of the masses of Du Fay? | The range is a fourth lower
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| Point of imitation is defined as ________ | a succession of imitate entrances
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| Imitation in paired voices is a characteristic of _________ | Josquin
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| Who was Luther's principal musical collaborator? | Johann Walter
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| What is a contrafactum? | A piece in which a new text, usually sacred, is added to preexisting music
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| Which of the following statements characterizes Jean Calvin's attitude toward music? | He allowed only unaccompanied singing of psalms at church services
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| What is/are the principal form(s) of Lutheran church music? | chorale
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| What is/are the principal form(s) of Calvinist church music? | metrical psalm
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| What is/are the principal form(s) of Anglican church music? | madrigal and motet
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| Palestrina spent most of his career at institutions in _________ | Rome
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| The main secular vernacular genre of sixteenth-century Spain was __________ | villancico
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| By the middle of the sixteenth century, the typical Italian madrigal was written for ________ | five or more voices
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| Madrigalism can be defined as _______ | the literal depiction of an individual word or phrase
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| Musica Transalpina was a collection of ______ | Italian madrigal that had been translated into English
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| The Triumphs of Oriana was _________ | a collection of madrigals in honor of Queen Elizabeth
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| One composer known for his lute songs is _________ | John Dowland
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| A consort is _________ | and combination of instruments in a small group
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| The Renaissance instrument that is related to the modern trombone is the _________ | Sackbut
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| The polychoral motet was culticated on a regular basis in __________ | Venice
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