Theatre History, English Renaissance
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| The Puritans | A member of a group of English Protestants who in the 16th and 17th centuries advocated strict religious discipline along with simplification of the ceremonies and creeds of the Church of England.
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| Anglican Church | the national church of England (and all other churches in other countries that share its beliefs); has its see in Canterbury and the Sovereign as its temporal head
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| Spanish Armada | Spanish-controlled fleet which sailed against England in 1588, with the intention of escorting an invading army across the southern North Sea
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| Interludes | in medieval england, short dramatic pieces, usually presented between courses of a banquet.
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| Comedy of Humours | Form of comedy, based on roman comedy, stresses ridcule directed at charcaters who are dominated by a single trait to a point of obession.
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| Iambic Pentameter | a system of meter in poetry, that comes naturally in english
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| Metaphor | A figure of speech in which a word or phrase literally denoting one object or idea is applied to another, thereby suggesting a likeness or analogy between them.
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| Simile | figure of speech in which two essentially unlike things are compared, often in a phrase introduced by like or as
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| Master of Revels | the official issuer of licenses to theatres and theatrical companies and the censor of publicly performed plays.
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| The masque | A dramatic entertainment, usually performed by masked players representing mythological or allegorical figures, that was popular in England in the 16th and early 17th centuries.
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| Ben Jonson | 1st english playright to champion neo-classical principals,developed the commedy of hummors, saw playwrighting as a literary form.
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| William Shakespeare | Best playwright ever
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| Richard Burbage | leading actor in Lord chamberlan's men, most famous elizabethan performer
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| Elizabeth I | Queen
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| Christopher Marlowe | 1st dramatist in elizabethan times, one of the univercity wits. "mighty line"
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| Will Kempe | Famous cometic actor in Lord chamberlans men
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| Henry VIII | King
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| Inigo Jones | Started scenic design in england. big in spectacle
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| How were Elizabethan acting companies organized? | had to be sponcered by a baron or higher, shareholers: elite members of the company, owned part of the troupe.Hirelings: actors contracted for a specific period of time and specific payApprentices: young performers traning for the proffesion, under shareh
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| What do we associate with Jacobean drama? | more specticle
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| What are the characteristics of Elizabethan drama? | no neoclassical unities, borrowed from greeks and romans, soliloqui
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| What were the types of early English Renaissance drama? | Interludes and School drama
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| What were the differences between the public and private theaters? | Public: Outdoors, bigger. Private: Indoor, smaller, seats for all, more expencive.
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| How was theater regulated during this period? | the government
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| What were the essential architectural elements of the Globe theater? | PLatform stage, spectators 3 sides, 3 stories on enclosed seats
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| What was the role of women in the English theater during this period? | none
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| What kind of scenery and costumes were used in the theater? | basic props and what they were wearing.
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