Dance 101
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| mother of modern dance | isadora duncan
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| believed that movements should be drawn from nature; the "first hippie" | isadora duncan
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| her technique was made up of movements like hopping, skipping, running, leaping | isadora duncan
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| wanted to free the body from the confines of ballet | isadora duncan
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| liked to dance in sheer tunics and barefoot | isadora duncan
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| began choreographing after seeing advertisement with Egyptian goddess Isis | ruth st. denis
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| married to ted shawn | ruth st. denis
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| married to ruth st. denis | ted shawn
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| established "Jacob's Pillow" in Massachusetts as an all male dance company | ted shawn
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| father of german modern dance | rudolf von laban
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| developed system of notating dance which consists of notating space, efforts, and shapes | rudolf von laban
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| system of notating dance which consists of notating space, efforts and shapes | labanotation, or laban movement analysis
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| female student and then teacher at denishawn | doris humphrey
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| these two established a school and developed a technique based on fall and recovery with a strong emphasis on balance and the pull of gravity | doris humphrey and charles weidman
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| denishawn student who established her own school in 1927 | martha graham
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| company that was all female, now some males | martha graham school of contemporary dance
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| her dances were based on psychological dramas with themes from greek mythology, american pioneers, and american indians | martha graham
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| dance techniques based on system of contraction and releases of the center of the body | martha graham
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| rebelled against the dance styles of times by using a flexed foot as well as an extended foot, with parallel and turned out foot positions | martha graham
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| student of balanchine; choreographed for Ballet Caravan(NYC Ballet) | erick hawkins
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| martha graham's first male dancer; married martha graham | erick hawkins
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| founded his own company and school in 1951 | erick hawkins
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| technique was "free flow", based on fluid and effortless movements | erick hawkins
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| her first dance was entitled "negro rhapsody" | katherine dunham
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| began black performance dance; combined native caribbean and modern dance | katherine dunham
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| appeared in musical theatre, and movie musicals | katherine dunham
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| rhythmic style was influential on jazz dance | katherine dunham
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| used dance as a motion rather than an emotion | alwin nikolais
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| dances were called "non-literal" and abstract | alwin nikolais
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| works combined his skills of choreography, composing, set designing, lighting designing, and costume designing | alwin nikolais
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| student of lester horton | alvin ailey
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| developed his own company in the mid 50s in New York | alvin ailey
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| combined modern, jazz, and world dance | alvin ailey
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| alvin ailey's most acclaimed dance; depicts religious heritage of the african american | revelations
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| performed in the first company of dunham | talley beatty
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| choreography combines modern and jazz techniques and reveals racial injustices suffered by african americans | talley beatty
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| father of post-modern dance | merce cunningham
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| student of martha graham; created his own company in 1953 | merce cunningham
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| technique uses the spine as a spring and can coil, twist, and turn, causing many direction changes and shifts of weight | merce cunningham
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| he used his trademark of "chance and indeterminacy" to arrange movements | merce cunningham
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| collaborated with avant garde composer john cage and artist robert rauchenberg | merce cunningham
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| this type of dance can be traced back to africa | jazz dance
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| presentations in the 1830s that showcased black songs and dances, and the cakewalk | "the minstrel shows"
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| most significant era to jazz dance history | "vaudeville" era
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| popular child dancers during the vaudeville era | bill bojangles robinson and sammie davis jr.
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| important jazz period that performed in exclusive clubs in harlem | harlem renaissance
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| time period in america during jazz renaissance | roaring 20s
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| time period included dances called the "charleston" and the "black bottom" | roaring 20s
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| nicknames for women who wore short, fringed dresses and danced the "charleston" | flappers
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| father of jazz dance | jack cole
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| one of jazz's most famous choreographers | bob fosse
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| choreographer of chicago, all that jazz, and cabaret | bob fosse
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| created "jazz dance world congress" to preserve and expand the world of jazz dance | gus giordano
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| dance used to enhance the storyline and move the storyline along was produced through..... | the American Musical Theatre dance
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| pioneer of musical theatre choreography | agnes de mille
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| married agnes de mille | cecil de mille
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| famous breakthrough musical created by agnes de mille in 1943 | oklahoma
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| choreographer of "west side story" | jerome robbins
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| the two main venues to see musical theatre in the 1950s | theatrical stage and movie musicals
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| choreographer of Michael Jackson's "Thriller" | michael peters
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| choreographer of broadway musical "the lion king" | garth fagan
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| type of dancing combined from irish jig, english clog, and the negro shuffle | tap dancing
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| style of tap dance that uses acrobatic movements | "flash acts"
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| style of tap dance that calls attention to intricate footwork | "hoofers"
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| style of tap dance that executes steps in a refined manner, with elegant body movements | "class acts"
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| famous tap dancing movie that stars mikhail baryshnikov and features gregory hines | "white nights"
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| tap danced with shirley temple and the movie "rebecca of sunnybrook farm" | bill bojangles robinson
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| famous singer, tap dancer, and actor from vaudeville era; known as one of america's best ever all-around dancers | sammie davis jr.
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| america's most popular dancing couple; combined tap, ballroom, and ballet | fred astaire and ginger rogers
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| he was a choreographer, tap dancer, actor, and singer; known for dancing on the ceiling and also with a hat rack | fred astaire
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| famous for his role in "singing in the rain" | gene kelly
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| child star of broadway's "the tap dance kid" | savion glover
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| choreographed broadway's "bring in da noise, bring in da funk" | savion glover
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| "points in space", "movement for movement's sake", "chance choreography" | merce cunningham
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| born in 1942, used relaxed torso and dynamically changing limbs | twyla tharp
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| improv is the core of this type of dance | jazz dance
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| choreographed "a chorus line" | michael bennett
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| famous vaudeville dancer and choreographer | seymour felix
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| female african american dancer and actress | josephine baker
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| 1921 negro musical | "shuffle along"
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| 1866, considering first musical theatre | "the black crook"
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