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2D Color-MU

Quiz yourself by thinking what should be in each of the black spaces below before clicking on it to display the answer.
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Question
Answer
At spectrum intensity a blue-violet is   Dark in Value  
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Analogous colors   May help create color harmony  
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White is the result of overlapping projected rays of the additive color primaries. The additive color primaries include red, blue, and   Green  
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In color mixing theory, blue plus green minus yellow plus red equals   Blue-violet  
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When several contrasting colors are used together, they will look unified if   All are somewhat neutralized  
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Mixing a common hue in each color used in painting will produce   Related or "key color" and a harmony of color tonality  
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Analogous color   Are adjacent in the spectrum  
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is a result of color absorbing all wavelengths except the color experienced; is an example of subtractive color   Color viewed by reflecting light  
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Hues directly opposite each other on the color wheel are known as   Complementary  
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All colors have the physical properties of   Hue, Value, Intensity  
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Color as seen in the objective world (green leaves, blue water, white clouds, etc.)   Local color  
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To make a yellow-green appear "greener", it must be surrounded by   Yellow  
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The color is said to be neutralized; The intensity of that color is lowered; The resulting color becomes a tertiary color; A change in value occurs   Color mixed with a complement  
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red theater spotlight makes white objects assume the color of the light; the artist may be dealing with color as seen on computer or television monitors   When additive color is used  
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art that conforms to establish traditions and approve conventions as practice in formal art schools; stresses standards, set procedures and rules   Academic  
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Relating to color perceived only in terms of neutral grays from light to dark without hue   Achromatic  
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Color created by superimposing light rays   Additive Colors  
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Colors that are closely related in hue; they are usually adjacent to each other on the color wheel   Analogous Colors  
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Pertaining to the presence of color   Chromatic  
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The relative degree of lightness or darkness demonstrated by a given color   Chromatic Value  
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The visual response to different wavelengths of sunlight identified as red, green, blue, and so on; having the physical properties of hue, intensity, and value   Color  
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Four colors, equally spaced on the color wheel, containing a primary and its complement and a complementary pair of intermediates; any organization of color on the wheel forming a rectangle that could include a double split-complement   Color Tetrad  
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three colors, equally spaced on the color wheel, forming an equilateral triangle   Color Triad  
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Two colors directly opposite each other on the color wheel   Complementary Colors  
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Any color that has a value level of middle gray or lighter   High-key Color  
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Generic name of a color; also designates a color's position in the spectrum or on the color wheel; it is determined by the specific wavelength of the color in a ray of light   Hue  
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The saturation, strength, or purity of a hue. A vivid color is of high; a dull color is of low   Intensity  
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A color produced by a mixture of a primary color and a secondary color   Intermediate Color  
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The color as seen in the objective world (green grass, blue sky, red barn, etc.)   Local (objective) Color  
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Any color that has a value level of middle gray or darker   Low-key Color  
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Having only one hue; may include the complete range of value (of one hue) from white to black   Monochromatic  
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Color that has been grayed or reduced in intensity by being mixed with any of the neutrals or with a complementary color (so that the mixture contains all three primaries, in equal or unequal amounts).   Neutralized (color)  
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No single color is noticed-only a sense of light and dark or the range from white through gray to black   Neutrals  
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A color substance that gives its color property to another material by being mixed with it or covering it; they are different from dyes   Pigment  
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A preliminary hue that cannot be broken down or reduced into component colors; they are the basic hues of any color system that in theory may be used to mix all other colors   Primary Color  
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The three primary colors on the color wheel (red, yellow, and blue) which are equally spaced and form an equilateral triangle   Primary Triad  
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A color produced by a mixture of two primary colors   Secondary Color  
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The three secondary colors on the color wheel (orange, green, and violet), which are equally spaced and for an equilateral triangle   Secondary Triad  
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A color produced by mixing black with a hue, which lowers the value level and decreases the quantity of light reflected   Shade  
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When two different colors come into direct contact, the contrast intensifies the difference between them   Simultaneous Contrast  
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The band of individual colors that results when a beam of white light is broken into its component wavelengths, identifiable as hues   Spectrum  
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A color and the two colors on either side of its complement   Split-complement  
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That which is derived from the mind, instead of physical reality, and reflects a person bias emotion, or interpretation   Subjective Color  
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The sensation of color that is produced when wavelengths of light are reflected back to the viewer after all other wavelengths have been subtracted and/or absorbed   Subtractive Color  
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Color resulting from the mixture of all three primaries, two secondary colors, or complementary intermediates; are characterized by the neutralization of intensity and hue   Tertiary Color  
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A color produced by mixing white with a hue, which raises the value level and increases the quantity of light reflected   Tint  
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A generic term for the quality of a color, often indicating a slight modification in hue, value, or intensity   Tone  
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The relative degree of lightness or darkness; the characteristic of color determined by its lightness or darkness or the quantity of light reflected by color   Value  
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The arrangement or organization of values that control compositional movement and creates a unifying effect throughout a work of art   Value Pattern  
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