QIV Material: Color Theory and Cosmetics
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cells which perceive light as black, white, and grey | rod cells
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cells which perceive color | cone cells
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the colors of the spectrum in order | ROYGBIV
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the name of a chromatic color, can be combined | hue
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the lightness or darkness of a color | value
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vividness or dullness of a color, cannot be raised any higher than the level of the pure hue | intensity
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primary hues in the Prang system (3) | red, yellow, blue
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secondary hues in the Prang system | orange, green, purple
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tones of the colors on the color wheel are known as ____ colors | tertiary colors
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the three colors from which all others are derived by combination; they themselves cannot be made | primary hues
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an equal mixture of two primary hues creates a | secondary hue
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when you add white to a hue you are creating a | tint
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when you add black to a hue you are creating a | shade
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when you add grey to a hue you are creating a | tone
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these colors reflect more sunlight and heatwaves | warm colors
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these colors absorb sunlight and heatwaves | cool colors
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advancing colors | warm colors
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receding colors | cool colors
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the warmest color | orange
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the coolest color | blue
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colors which are opposites on the color wheel | complementary
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highest value color | yellow
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lowest value color | purple
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these colors are more relaxing and calming, excessive use can be depressing | cool colors
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these colors are cheerful and stimulating, excessive use can be loud | warm colors
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combo: monotony, one hue with all its tints, tones, and shades | monochromatic
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combo: analogy, adjacent colors from the color wheel placed next to each other (could clash) | analogous
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combo: opposites on the color wheel, brings out the best in each color, but each color fights for attention | complementary
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combo: use three hues at least three colors apart on the color wheel, but only one color at full intensity (ex: 3 primaries or 3 secondaries) | triad
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combo: use of three colors, a dominant hue with two hues on either side of the complement (ex: yellow as dominant with blue-purple and red-purple) | split complement
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combo: use four colors, 2 adjacent hues and their complements (ex: yellow and yellow-orange, purple and blue-purple) | double complement
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combo: use four colors, two separated hues (not adjacent) and their complements | tetrad
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combo: two hues which differ and are not complementary (ex: one warm and one cool) | contrast
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point-lighting, straight line of light directly from the source to the object | direct lighting
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semi-diffused lighting, breaking up light rays with a shade or bowl, light is scattered | semi-direct lighting
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diffused lighting, pointing light to a wall and off of it, no shadows or highlights produced | indirect lighting
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white light, good for fabrics and wood, but can distort cool colors | incandescent
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tube lighting causing atoms of gas to glow with electrons, very little heat, more light-high in blue and green, little red and orange, dull warm colors in cosmetics and woods | fluorescent
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internal cosmetizing is achieved by | arterial injection
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external cosmetizing is achieved by | cosmetic application
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cosmetic: water/alcohol base which leave a dry film behind upon evaporation | liquid
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cosmetic: does not cover wax | liquid
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cosmetic: lanolin base which keeps moisture in, covers discolorations, mixes with wax | cream cosmetic
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cosmetic: dry, light application | powder
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completely see-through | transparent
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semi-opaque | translucent
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no light passes through, reflects the maximum color of light | opaque
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most important color in cosmetics | brown
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undercoating, undertoning, foundation-which step of the cosmetics process is this? | complexion, first step
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adding small amounts of darker color on top of foundation color to emphasize shape of face or to get a closer color match-what number step? | alteration color, second step
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highlighting those parts of the face that need to be larger or brought forward with a lighter color-what step is this? | corrective shaping, third step
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accenting the areas of the face that are usually redder in life (cheeks, lips, ears, chin, lower nose, male forehead, knuckles, nails)-what step? | warm areas, fourth step
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use over cream foundations to set, but leave some shine-what step? | powder application, fifth step
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a good protectorate from stains, chemicals, and dehydration | massage cream
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do not use on areas to be waxed/hair application or on liquid based cosmetics | massage cream
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