Lit terms, titles, authors, periods
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| Postmodernism | continuation of the Modernist agenda and reaction against it
literature that calls attention to itself a s literature
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| Sestina | complicated poetic form
39 lines divided into 6 set and concluding tercet
iambic pentameter
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| Villanelle | 19 lines and is divided into 5 tercets and a concluding quatrain and written in iambic pentameter
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| Modernism | non-linear narrative structure, thematic ambiguity, self-mocking tone and privileging of form and tech.
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| Imagism | poetry should focus on the exact, sharp, clear, concrete image
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| Realism | representation of things as they really are
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| Regionalism | focuses on character, dialect, customs, history, and landscape of particular region
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| Naturalism | social and natural biological, environmental and economical forces determining human behavior
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| Petrarchan Sonnets | making order from chaos
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| Objective Point of view | like a movie camera
everything must be revealed through dialog and action
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| First Person Observer | narrator is outside the action
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| First Person Retrospective Narrator | narrator looks back on the story's events
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| Verisimilitude | the likeness of reality
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| local color movement | faithful portrayal of speech, customs, dress, living conditions of a location
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| minimalism | hints to guide readers opinion
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| confessional | poetry; first person; outlet for authors demons
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| metafiction | fiction acknowledges its fiction (breaking 4th wall)
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| James | The Real Thing
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| Jewett | A White Heron
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| Chopin | At the Cadian Ball
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| Gilman | The Yellow Wallpaper
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| Wharton | The Other Two
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| Cather | A Wagner Matinee
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| Robinson | Richard Cory and Mr. Flood's Party
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| Frost | Home Burial and Mending Wall
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| William | They Young Housewife, Danse Russe, THe Widow's Lament in Springtime, The Red Wheelbarrow, This Is Just to Say
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| T.S. Eliot | The Love Song of J. Alfred Prufrock
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| Millay | I, Being Born a Woman and Distressed and Oh, Oh You Will Be Sorry for That Word
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| Hughes | Mother to Son, THe Negro Speaks of Rivers, I, Too, Harlem
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| Fitzgerald | The Ice Palace
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| Faulkner | the Evening Sun
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| Hemingway | Hills Like White Elephants, A Very Short Story
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| Hurston | The Gilded Six Bits
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| Welty | A Worn Path
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| Roethke | My Papa's Waltz, I Knew a Woman
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| Bishop | Sestina, One Art
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| Brooks | the mother, The Bean Eaters
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| O'Connor | A Good Man is Hard to Find
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| Plath | Morning Song, Daddy
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| Updike | A & P
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| Alexie | What You Pawn I Will Redeem
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| Carver | Are These Actual Miles?
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| O'Brien | The Things They Carred
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| What Movement: The Real Thing | Verisimilitude- the poor models real; he can only draw what he sees; he can't change them in his drawings. They are reality
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| What Movement: The White Heron | Realism- her internal struggle; real situation
Regionalism- specific area in story
Romantic; Passion for the wild
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| What Movement: At the Cadian Ball | Regionalism- explaining and describing area
Local color- culture
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| What Movement: Yellow Wall Paper | Feminism- women problems
Realism- real life
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