2008 Midterm Review
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| radical change of novel in temporal whatever the hell (bakhtin) | Past is presented as complex and unknowable like the present.
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| maximal contact with the present in a novel (Bakhtin) | there is continuity between past and present
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| comic familiarization with the image of man (bakhtin) | you can see contradictions, so it's real and funny.
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| dynamic authenticity (Bakhtin) | character can develop which is realistic
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| man is inexhaustible (Bakhtin) | he's infinitely explorable.
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| purpose of poetry (Sidney) | an art of imitation to teach and delight
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| Purpose of poetry (Sidney) | virtuous action or to teach and delight
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| Poetry vs. philosophy and history | philosophy is lamed by lack of real example and history is tied to reality, not ideals. So poetry, having both precept and example, is better.
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| poetry and nature | the poet either improves nature or brings entirely new nature into being.
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| poetry and lying | the poet affirms nothing and therefore never lies.
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| mimesis | imitation
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| complex plot | is accompanied by reversal, recognition, or both
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| reversal (aristotle) | the protagonist's actions produce an effect that is the opposite of his intentions
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| anagnorisis | recognition of one's tragic fate
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| Peripeteia | the action that all the proceeding events stem from, like the peak of a hill after which the rock rolls down.
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| sonnet forms | Spenserian, English, Italian
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| Spenserian sonnet | ababbcbccdcdee
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| English sonnet | ababcdcdefefgg
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| Italian sonnet | abbaabba and then so forth
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| iambic | us
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| trochee | su
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| anapest | uus
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| dactyl | suu
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| spondee | ss
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| amphibrach | usu
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| assonance | internal rhyming, repetition of vowel sounds
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| consonance | repetition of consonant sounds
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| direct discourse | is quoted and attributed
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| indirect discourse | is attributed but not quoted
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| free indirect discourse | is neither quoted nor attributed.
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Popular English Verbs sets